Son of a PREACHER man

p12713261_b_v8_aa

La implantación en nuestras lares de, primero Netflix, HBO y luego Amazon vídeo, si le sumamos otras plataformas que ya nos daban de comer series de TV a mansalva han revolucionado la forma de ver la tele. Enganchado a series de tv ya hace años, vivo en un constante paraíso de colores. El problema es muchas veces, qué ver ante el ansia de tanta oferta. En cualquier caso, a lo que íbamos. Más allá de la series lo que más me chifla es la música de algunas de ellas. Cuando suena esa tonada que reconoces sonríes. Pero cuando esa tonada no la conoces y tienes que tirar rápidamente de la app de Shazam para descubrir que es eso que te ha bolado el cerebro, la sonrisa, si cabe, es más intensa. Me ha pasado con la banda sonora de Quarry (HBO) – ya os lo conté-  y ahora con Preacher (HBO). Las dos una auténtica gozada. La primera con mucho soul y rock setentero. La segunda repleta de country, rock and roll y música para rednecks. Háganse con ambas en Spotify.

DAN BAIRD “So Slow”

db-solow-cd-cover

Ha vuelto. Y pedazo disco se ha marcado. Parece que es el primer álbum que ha grabado sin banda y por lo que hemos podido escuchar, sinceramente, se las apaña estupendamente. Todo el disco me parece sensacional, un discarral de tomo y lomo repleto de excelentes canciones, rock and roll y mucho boogie socarrón. No sobra nada. Probablemente, uno de los discos del 2017 y sin exagerar. Y eso que sólo estamos en febrero. Esperamos tenerlo de nuevo pronto por aquí. ¡Bailad malditos!

Spotify

Hey y’all, db here.

Time for too much info –

This thing started out when Homemade Sin was writing and recording Get Loud. I got a recording rig and put it in the basement of the house, as some of you know. Got to writing for that record and just writing for the love of it. By the time we’d picked the songs for Get Loud I had some good songs leftover. And just kept writing.
It’s been years since I was someone’s “guitar solo” player and I really liked the challenge back then and a few years since a Bluefields record, so I had the “gee, I like playing bass too!” thing hit as well.

Well why not make your own record then hoss? You got a mess o songs, guitars, bass, amps and a voice. Ok, I will.
Drums, uh nope, not for me, Call Brad Pemberton. “Sure man”

Did one background vocal with myself. Did not like the sound. Not a little bit. Call Joe Blanton. “Sure, and ya oughtta lemme mix it too.” Ok. “We can record Brad at the Treehouse”. Great.

My engineering skills are decidedly in the “learning” category, so Joe did a bunch of “Dan, we gotta recut that guitar, it’s just too nasty to use”. Mostly on rhythm tracks. The solos I had unfortunately fallen in love with and didn’t want to touch them. Are there some, shall we say, dodgy bits on them. And yes, they have a bit of an over done edge on some of them, but I liked them that way.

So, most of the vocals and guitars were cut at my place, the drums and most of the bass at Joe’s.

Some songs are new, some are older songs that just didn’t sound right with HMS.

Now, in all honesty, I was wanting a record that dealt with me aging, the passage of time and loss. In other words, all the shit that happens when you “forget to die young”. A few of the tunes seem to escape this corral but if you squint just right, they make it in under the wire. It’s not quite a concept record, but it does get close. I hope it’s not a trend.

Dan Baird,